I recently had a short story, Genius Loci, published at The Milk House, an online journal that focuses on rural writing.
Monday, 20 March 2023
Monday, 27 February 2023
The Tower
Just had a short story The Tower (4 minute read) published by the Lothlorien Poetry Journal. It's an idea I had kicking around for a while and which has been through various previous incarnations. It's now probably time to let it stand.
Tuesday, 7 February 2023
Three Poems
Saturday, 14 January 2023
International Times
Had three poems published in International Times this January. Great to be sharing a page with silent screen star Theda Bara.
https://internationaltimes.it/?s=rivron
Sunday, 8 January 2023
The Caves
Just had a short story, The Caves, published in SETU Magazine. I suspect it's the kind of first-person story which gets people wondering, is it autobiographical? To which the answer is, no. However, where autobiography and fiction are concerned, I'd say this: fiction tends to bear a similar relation to the life of its author as the cut-out letters pasted onto a kidnapper's note bear to the articles they were cut from.
Thursday, 13 October 2022
Cosey and Delia
Cosey Fanni Tutti's latest album – a solo album – is based on the soundtrack she created for the film Delia Derbyshire: The Myths and the Legendary Tapes. The film, directed by Caroline Catz (best known for her role as the headteacher in the TV series Doc Martin), is about the life and work of the electronic music pioneer Delia Derbyshire, who worked at the BBC Radiophonic Workshop in the 1960s. CFT gives a fascinating account of how she created it in the book, Re-Sisters. Having spent time talking to people who knew Delia, she then visited the John Rylands Library in Manchester to listen to digital recordings of the 'legendary tapes' themselves, which are held there (tantalizingly, they're not freely available because of copyright complications). I get the impression that the tapes are a kind of 'sound diary' of Delia's working life. CFT managed to assemble a collection of old, analogue equipment, which allowed her to explore Delia's way of working:
I'd made copious notes on how I'd go about composing and finding the right sounds that would reflect Delia's style while staying true to myself and to Delia's ethos of obtaining previously unheard sounds. Re-Sisters, p.119
She also had access to Delia's VCS3 synthesizer 'patch sheets' (diagrams showing the positions of the controls and the ways different parts of the machine were interconnected to produce a particular sound). As she said, recreating one of Delia's 'patches' was unlikely to produce the same sound but was at least an interesting starting point. (Elsewhere in Re-Sisters, she talks about Keats' idea of 'negative capability' and the importance to artists of just letting things happen). One should stress that the end result is very much the work of CFT and definitely not a recreation of Delia's music. I suppose one could describe it as a dialogue with Delia's ghost.
I've been a long-time fan of Throbbing Gristle but, until now, I'd not taken the time to get to know the work of Cosey Fanni Tutti outside of the band. It's a voyage of discovery for me, it's still in progress, and I'm enjoying every minute of it.
Monday, 26 September 2022
Microwalking
I've just written and posted a free e-book. 'Microwalking' is a pamphlet about short walks. It includes descriptions of several examples taken from Swaledale in the Yorkshire Dales. As it says in the pamphlet: 'A 'microwalk' ... contains, in microcosm, the kind of experience one can enjoy in a far longer walk. Scrambling up a stream-bed, enjoying a panoramic view, negotiating tricky terrain, encountering a waterfall or a hidden valley.'
You can view it on Scribd in an easily printable version:
A Poem for Writers
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One day in 1966 I ran away from boarding school. I was eight at the time. It was the beginning of my second term. I'd been sent there wi...
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Just read a poem by Lee Harwood. Two lines jumped out at me and felt unbelievably poignant. Trains run through a town, he writes, 'stari...