Wednesday, 30 September 2026

The Aviary

You can now download and read a novella I've written, The Aviary, from Smashwords. It's free. You can read it online there or, for the best experience, and if you have a Kindle or Kindle app, click on the 'epub' link to download it, then open it and click to add it to your Kindle library. 

In the weeks following the break-up of a relationship, Dave, to his horror, discovers he has contracted a rare condition known as avianism: he has begun to sing like a bird. In the society he lives in, avianism is considered taboo and sufferers quickly become victims of prejudice and even violence. In the past, they were thought to be possessed by evil spirits. A colleague of Dave's ex suggests a clinic, run by the mysterious and charismatic Dr Trager. Almost from the beginning, he has doubts about Trager's regime although he sees no option but to go along with it all. The future looks uncertain...

https://www.smashwords.com/books/view/2097844

If the whole ebook thing is not your thing, you can download it as a pdf here.  





Sunday, 29 March 2026

A Poem for Writers

Just read a poem by Lee Harwood. Two lines jumped out at me and felt unbelievably poignant. Trains run through a town, he writes, 'staring in at the bare rooms and kitchens / each lit with its own story that lasts for years and years.'* Wow. It just caught me off-guard. Funny how often, when you like the music of a poet's work, you find that they also deal with the sorts of ideas and ways of seeing, too, that appeal to you.


*A Poem for Writers by Lee Harwood

Saturday, 7 March 2026

Street View

Okay, so it's just an image on a two-dimensional screen, but he can move it around, sketching invisible lines on the mousepad. London. A large, terraced house in N19. It looks much the same. as it did back in 1981. The software won't let him but, in his mind's eye it's easy to walk in through the front door, to make his way upstairs to the second-floor flat they've just rented. 

The sun is pouring through the window, through the rainbow sticker they'd recently bought from the local wholefood shop. They were feeling optimistic. Right now, he's alone. His other half is out, working an early shift. From where he stands, he can see the sky and the rooftops of the flats opposite. He can hear the noise of invisible traffic going past, two floors below. The noise is less unpleasant than he'd expected. It's quite comforting in fact. Within a day or two of moving in, he'd come to realise that when he heard it, he knew he was at home. The hum of the cars. The roar of the double-decker buses. Sometimes he opens the window and leans out, looking down on it all and smoking a cigarette. He never smokes indoors. The landlord and landlady, who live downstairs, had only wanted non-smokers but they were young and very easy-going. They'd all hit it off immediately. They were more like friends. They all even take it in turns to cook a shared meal every week. The rent is cheap.

He takes his brown corduroy bomber-jacket down from the back of the door. He feels in the pocket for his cigarettes. Twenty Embassy. Well, a half-full box. That should see him through. Matches. He makes his way back down to the street.

This is the way it was.

He turns right, towards the Archway Roundabout. As he does so, he lights his first cigarette of the day. He crosses a side-road, Prospero Road. He didn't know Shakespeare's The Tempest back then, so didn't associate the name with his favourite Shakespeare play. He carries on round the bend, past the privet hedges which conceal the tiny gardens of the terraced houses. On his left, the long, low block of council flats is still there. As he clicks the mouse, moving on further down the street, he is surprised to see that so little has changed.

At the roundabout, he negotiates the pedestrian crossings that take him across the Holloway Road. It strikes him that he has never, neither back then nor since, actually been inside the Archway Tavern, the pub that still  stands marooned on the island, in the centre of the swirling traffic. He turns down Junction Road. He walks past the long shop windows of the Co-op supermarket. Once, when he'd been walking past on his way home from work, he'd had to cross to the other side. A bus had lost control as it approached a bus-stop there and careered into the shop front. There were shards of plate-glass everywhere. The pavement and the shopfront had been red with blood. He'd never seen so much blood. The next day, the windows had been covered over with sheets of plywood. 

He finishes the cigarette, dropping it between the bars of a drain cover, keen not to burn the soles of his Doc Marten boots. He feels sure there is a way through the pedestrian precinct opposite but the mouse won't take him there. All it'll do is shift the image from side to side. Figures in a blurred background do their best to create a 3D impression. A virtual no-go zone. The images are clearly from a few years ago as a number of pedestrians are wearing face-masks. He carries on down Junction Road towards Tufnell Park. When he reaches the pet shop he turns right, up Bredgar Road. It's a long, straight road lined on both sides, at first, with more low blocks of flats. He passes Hargrave School, an imposing Victorian building which he has no memory of. He has a vague memory, though, of St Peter's Church, now converted into flats, which stands at the top of the road, at the junction with Dartmouth Park Hill.  He remembers how, seen from further down the hill, it plays a significant part in the skyline.

He turns left. He's almost there. To his surprise the building's still standing. He half-expected to discover it'd been bulldozed to make way for some luxury development, but no. He still looks back on that first job with affection. He was often five minutes late although they tended to be tolerant, as he often left late, too. Five minutes was one thing; forty-five years, though, was quite another.






Saturday, 1 February 2025

The Retreat

You can read my short story, The Retreat, here, at International Times (IT). A soul-searching billionaire heads to the seaside in search of a change of direction. It's a five minute read (there's lots of other stuff to read in IT, too!). Artwork by Rupert Loydell.

Wednesday, 5 June 2024

Arboretum for the Hunted

Fred D'Aguiar, for those who don't know, was one of the leading writers – along with Linton Kwesi Johnson, Bejamin Zephaniah and David Dabydeen – giving voice to marginalised groups in Britain in the 1980s. As the blurb on the back of his recent pamphlet, Arboretum for the Hunted says,  'what is striking about about this chapbook is how much keeps him dreaming, even in places and situations where many imaginations would stumble and falter in the face of ... relentless violence.' You can read my review of the book here, at Stride Magazine.



Sunday, 10 March 2024

Reports from the Deep End

Reports from the Deep End is a collection of short stories inspired by the work of J.G. Ballard. Although he's famous for his visions of urban dystopia (his name has even morphed into the adjective 'Ballardian'), there's so much more to him than that. For example, as a science fiction writer, instead of writing stories about outer space, he turned, instead, to the 'inner space' of the human mind, blurring the distinction between SF and literary fiction. Then there's the exotic locations and the non-specific, slightly surreal aura of colonialism you sometimes get, that no doubt springs from his childhood experiences of Shangai and living in a Japanese internment camp during the Second World War. 

There are over thirty stories in the collection, which includes work by Will Self, Iain Sinclair and Michael Moorcock (who contributes a new Jerry Cornelius story). You can read my review of the book here, in International Times.


Friday, 29 December 2023

Requiem for Bioluminescence

There's the ghost of a story running through Aaron Kent's collection, Requiem for Bioluminescence. It's about an owl, a fox and a submariner (Kent was, for a while, a submarine SONAR operator: almost, in itself, a metaphor for the kind of poet he is, delving into the subconscious the way he does). Influenced by JH Prynne and jazz (he's a fan of Miles Davis), the poems are playful in their use of language and musical in structure. Nevertheless, they have a dark, mythical feel to them. You can read my review of the book here at Stride Magazine.


The Aviary

You can now download and read a novella I've written, The Aviary, from Smashwords. It's free. You can read it online there or, for t...